16 718 безплатни аудиофайлове за "Midi Files Containing Pitch Bend Data"

Maj ninth chord on C.

Dresdner Amen

Tone row from the first movement of Alban Berg's Lyric Suite, according to George Perle.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.

Ragtime progression in C.

Mu chord on C. Created by Hyacinth (talk) 22:54, 3 June 2009 using Sibelius 5.

Jazz triplet subdivison - MIDI file.

The most common and simple blastbeat. Two measures repeated (four measures total).

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

Two-step drum pattern associated with the older NON-Texas two-step dance pattern.

Berg's Lyric Suite Mov. VI tone row 2-P.

Berg's Lyric Suite Mov. VI tone row 1-P

Robert Schumann: Album für die Jugend, Op. 68, No. 1 "Melodie"

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

Alexander Scriabin: opus 42.06

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

a kind of chord

In a triadic context chords with omitted thirds may be considered "indeterminate" triads.

Fill with groove number 2 and crash

Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humorous use of the minor second. The original work is public domain, image created by the uploader.

Purdie shuffle variant. Created by Hyacinth (talk) 16:33, 1 November 2010 using Sibelius 5.

Berg's Alwa tone row from Lulu on C.

Alexander Scriabin: opus 15.02

Hi-hat "crescendo" from closed to open leading to the ride cymbal.

Chord progression with a borrowed chord second: v or Gm in C major.

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

Alexander Scriabin: opus 42.05

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

interval unison melodic

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

The most basic ride pattern in rock and other styles.

Post-punk drum pattern.

Rockers variant of the one drop rhythm, sixteenth-note one-drop pattern with bass drum on all eighths.

Reggae one drop drum pattern, sixteenth note variation.

Pierre Boulez's Second Piano Sonata series. Created by Hyacinth (talk) 01:57, 19 October 2010 using Sibelius 5.

Berg's Lulu Schoolboy tone row on C.

Synthesized MIDI rendering of chanson "Belle bonne sage" by Baude Cordier, early 15th century, after manuscript File:CordierColor.jpg

Four measure ii-V-I progression in C with Coltrane substitution.

D-beat drum pattern 1.

The 'D-Beat' in musical notation.

D-beat drum pattern 3.

Characteristic rock drum pattern with rimshot in place of snare

D-beat drum pattern 2a.

Wagner - Tannhauser, Zu dir wall'ich.

The tone row from the first movement of Alban Berg's Lyric Suite, according to Wolfgang Stroh.